\n
Today I am reviewing the film, A Monster Calls. A fantasy drama starring Lewis MacDougall, Sigourney Weaver, Felicity Jones, Toby Kebbell, and Liam Neeson. Is A Monster Calls OK for your child? Read Common Sense Media\'s book review to help you make informed decisions.
Sieben Minuten nach Mitternacht (2. Edit. The monster does not come walking often. This time it comes to Connor, and it asks for the one thing Connor cannot bring himself to do. This is a very touching story about a boy who feels very damaged, guilty and mostly angry. He struggles at school with bullies, and pity looks from everyone, and at home with his mother\'s sickness. Will Connor overcome his problems? Will everything be okay? Will Connor be able to speak the truth? Film Review: A Monster Calls - Cine. Vue. In the opening moments of a startling turn from the young Edinburgh- born lad, making just his second appearance after last year\'s Pan, he awakes from a terrible nightmare in which a graveyard crumbles into the earth and a hand slips from his grasp into the void. It is a desperate, breathless beginning extremely well realised by the film\'s special effects team. So often employed to disguise a lack of depth elsewhere, the technical wizardry exhibited throughout A Monster Calls is complimented by Bayona\'s assured direction and a tender script by Patrick Ness, here adapting his novel for the screen superbly. Watercolour credits that mix, dissolve and blend will later be echoed when Conor is told three tales whose morals he must heed, sketched across his imagination and in multi- coloured splendour for a viewer. The flickering black and white image of King Kong flits in front of Conor\'s eyes as he and his mum, whose greyed lips and dark eyes from the outset betray signs of severe ill- health, enjoy an early serene moment together. Introducing the notion of a beast, unexplained and misunderstood, it is just after the witching hour, when 1. Rising from the earth of church grounds opposite Conor\'s bedroom, a yew tree transforms into a towering creature, fearsome in size but with the gruff and yet affable tones of Liam Neeson. Initially frightening in his ferocity, the monster does not scare the plucky youngster, who is brave in the face of his overwhelming new pal and the awful circumstances he will teach him to face. Mac. Dougall demonstrates a similar courageousness and fearlessness with a performance of such maturity that - certainly in the latter stages - buckets of tears will well in dazzled eyes. Conor is forced to face events no child should and the actor shows an understanding of complex emotion well beyond his tender years. In spite of all the effects and action, Bayona\'s use of silence is profoundly moving. Moments of quiet, some awkward, others emotional, between Conor and his overbearing grandmother (an excellent Sigourney Weaver), as well as hugs of longing and stares of resentment with an absent father (Toby Kebbell) speak volumes. Last but by no means least special mention must go to Felicity Jones. Confined through to her bed at home or in hospital throughout as her body slowly withers, she is a study in debilitated stillness. There is such love, compassion and profound sorrow in her sparkling eyes that words and movement almost seem obsolete. A tremendous performance from the British actress tops off a captivating, tear- jerking success. Matthew Anderson.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
December 2016
Categories |